This is Steve Dawson’s 8th album and his first record of instrumental music since Rattlesnake Cage appeared in 2014. A multiple Juno Award-winning producer, for this project he turned to long-time collaborator and friend, Jesse Zubot to assist in scoring and arranging the strings for five of the ten tracks included.

With the Warehouse Studio in Vancouver providing the space required, Dawson recorded live with up to twelve microphones in various positions to capture the guitar and orchestration. Contributions from Peggy Lee (cello), Jesse Zubot and his brother Josh (violins) and John Kastelic (viola) create a rich tapestry of sound and the perfect back-drop for quiet days spent in contemplation or lazy evenings by the fireside with a favourite glass of wine, perhaps. Tracks such as The Circuit Rider Of Pigeon Forge; Bone Cave; Old Hickory Breakdown; Little Harpeth and Bugscuffle are worthy mentions across the project but really, there is not a weak track on display.

Playing a range of guitars – acoustic, 12-string, national tricone, weissenborn, ukulele – the depth of Dawson’s talent lies in the fact that the melodic progressions are seamless and give the impression of total fluidity and graceful ease. Joined also by Jeremy Berkman (trombone), Nick Anderson (french horn), Sam Davidson (clarinet), John Reischman (mandolin) and Charlie McCoy (harmonicas) on selected tracks, it all works as a composite whole & the fact that he has produced and/or played on more than 80 albums since the turn of the millennium says it all really and speaks volumes for the national treasure that he has become in his native Canada.