Languorous psychedelic-edged tunes buoy the listener through soothing waters on Phantom Threshold, finding Steve Dawson reunited with Jeremy Holmes, Chris Gestrin and Jay Bellerose. An instrumental album, characterized by pedal steel, the addition of marxophone and Moog synth amongst other vintage technologies, achieves transcendence.

“Cozy Corner” sets sail with blurred edges and meditational overtones. “Burnt End” is an orange-hued Hawaiian interlude; enigmatically named “Twig Bucket” resonates warmth, continuing rich steel guitar vibrations in multi-coloured hues. “Ol’ Brushy” brings jazz-funk vibes. An array of instruments including Wurlitzer and electro organ creates the highly satisfying sound tableau. A railroad beat, aching steel, and fiddle on “Phantom Threshold” build anticipation, elaborating into an experience suggestive of epic celluloid cinema.

Accordion on beguiling “The Waters Rise” has a transporting mystical influence, preceding an undulating nostalgia-drenched interpretation of Brian Wilson’s “You Still Believe In Me”. “Tripledream” delivers lush harmonies, topped off with flambouyant cornet flourish. “Lily’s Resistor” pushes the envelope into compelling darker realms before chilled vibes on “That’s How It Goes In The Relax Lounge”. Closing track “Whirlwind”, a solo Weissenborn guitar, crafts breezing clarity. Phantom Threshold is a thing of beauty.